{"id":399,"date":"2017-08-01T16:19:22","date_gmt":"2017-08-01T14:19:22","guid":{"rendered":"http:\/\/sisume.com\/?post_type=portfolio&p=399"},"modified":"2024-12-06T10:34:44","modified_gmt":"2024-12-06T09:34:44","slug":"au-loin-les-signaux-al-loulou","status":"publish","type":"portfolio","link":"https:\/\/sisume.com\/index.php\/portfolio\/au-loin-les-signaux-al-loulou\/","title":{"rendered":"Au loin les signaux, al lou\u2019lou’"},"content":{"rendered":"
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Au loin les signaux, al lou\u2019lou'<\/i><\/span><\/span><\/h3>\n\t\t\t<\/div>\n\n\t[vc_column_text]\n
Artists
\nBertille Bak
\nMarcel Dinahet
\nCl\u00e9mence Marin & Marguerite Reinert
\n<\/span><\/strong>Geoffroy Mathieu
\nEnrique Ram\u00edrez
\nLinda Sanchez
\nElvia Teotski<\/span><\/strong><\/h5>\n
Performance<\/span>
\nMyriam El Ha\u00efk<\/strong><\/span><\/h5>\n
Acousmatic concert<\/span>
\nMatthieu Pernaud<\/strong><\/span><\/h5>\n
Co-curated with<\/span>
\nClaire Astier<\/strong><\/span><\/h5>\n
Screening<\/span> Neil Beloufa, Jacynthe Carrier, Andr\u00e9 Fortino, Lola Gonz\u00e0lez<\/strong><\/span><\/h5>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″ el_class=”text-center” offset=”vc_hidden-sm vc_hidden-xs”]\t
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Au loin les signaux, al lou\u2019lou'<\/i><\/span><\/span><\/h3>\n\t\t\t<\/div>\n\n\t[vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]\n
Artists
\nBertille Bak
\nMarcel Dinahet
\nCl\u00e9mence Marin & Marguerite Reinert<\/span><\/strong><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]\n
Geoffroy Mathieu
\nEnrique Ram\u00edrez
\nLinda Sanchez
\nElvia Teotski<\/span><\/strong><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]\n
Performance<\/span>
\nMyriam El Ha\u00efk<\/strong><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]\n
Acousmatic concert<\/span>
\nMatthieu Pernaud<\/strong><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]\n
Co-curated with<\/span>
\nClaire Astier<\/strong><\/span><\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]\n
Screening<\/span> Neil Beloufa, Jacynthe Carrier, Andr\u00e9 Fortino, Lola Gonz\u00e0lez<\/strong><\/span><\/h5>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578634788056{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_column_text]There is a side road that runs secretly through the confines of the city: a promise for anyone who decides to get lost in the infinite edges of Marseilles and to approach the water. Light change, sky rustling, wet objects, salty fingers, dry eyes. Landscapes\u2019 faults and breaches are powerful reservoirs of fiction, which open owing to impromptu signals. Then, simply indulge in borders, leave signals far behind, to sense the call: come hang on the pontoons, swarm in the pebbles, signal the sea with your own (land)marks, prepare the ground.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text]There is a side road that runs secretly through the confines of the city: a promise for anyone who decides to get lost in the infinite edges of Marseilles and to approach the water. Light change, sky rustling, wet objects, salty fingers, dry eyes. Landscapes\u2019 faults and breaches are powerful reservoirs of fiction, which open owing to impromptu signals. Then, simply indulge in borders, leave signals far behind, to sense the call: come hang on the pontoons, swarm in the pebbles, signal the sea with your own (land)marks, prepare the ground.[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578634870117{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”]\t
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\u2018The videos presented during the screening night stage groups that seem to extricate themselves from a normed space to imagine and invent their own regime of existence and resistance. These films evoke a preparation or an attempt to adapt one’s body and senses to a new experience. If the protagonists appear to be \u2018orchestrated\u2019, we are not fully sure of it: improvisation, collective adventure, script? The ambiguity of the images and of the participants\u2019 status fuels the doubt. What can a group do? How does it act?\u2019<\/span><\/p><\/blockquote>\n[\/vc_column_text][vc_empty_space height=”20px”][vc_video link=”https:\/\/vimeo.com\/168340009″ align=”center”][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1571578547743{padding-bottom: 10vh !important;}”][vc_column offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text]\n

\u2018The videos presented during the screening night stage groups that seem to extricate themselves from a normed space to imagine and invent their own regime of existence and resistance. These films evoke a preparation or an attempt to adapt one’s body and senses to a new experience. If the protagonists appear to be \u2018orchestrated\u2019, we are not fully sure of it: improvisation, collective adventure, script? The ambiguity of the images and of the participants\u2019 status fuels the doubt. What can a group do? How does it act?\u2019<\/span><\/p><\/blockquote>\n[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_video link=”https:\/\/vimeo.com\/168340009″ align=”center”][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578634788056{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_column_text]The artists invited in Au loin les signaux, al lou\u2019lou\u2019<\/em> reveal gestures and practices that try to reach this fragile place that is the edge. They invent protocols, appropriate know-how or build stories to invoke it. Evoking the invention of a language or the writing of a score, the artworks presented signal the existence of an \u2018unthought\u2019 or of an \u2018elsewhere\u2019 without seeking to name it.<\/p>\n

Strategically located at the entrance of the Vieux Port, l\u2019Anse du Pharo is a \u2018signal\u2019 area of Marseilles, a unique and emblematic heritage site that carries the memories of the city\u2019s dockyards and underwater archaeological discoveries. At its heart, living heritage of maritime know-how (through the Chantiers Borg and Sainte-Marie, and the Voilerie Phoc\u00e9enne) coexists with intangible heritage (storytelling linked to the dockyards and Mediterranean typical \u2018barquettes\u2019 boats, and their preservation) and tangible heritage (such as the archaeological artefacts of the Underwater Archaeological Research Group, GRASM).[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1571409156883{padding-bottom: 4vh !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text]The artists invited in Au loin les signaux, al lou\u2019lou\u2019<\/em> reveal gestures and practices that try to reach this fragile place that is the edge. They invent protocols, appropriate know-how or build stories to invoke it. Evoking the invention of a language or the writing of a score, the artworks presented signal the existence of an \u2018unthought\u2019 or of an \u2018elsewhere\u2019 without seeking to name it.<\/p>\n

Strategically located at the entrance of the Vieux Port, l\u2019Anse du Pharo is a \u2018signal\u2019 area of Marseilles, a unique and emblematic heritage site that carries the memories of the city\u2019s dockyards and underwater archaeological discoveries. At its heart, living heritage of maritime know-how (through the Chantiers Borg and Sainte-Marie, and the Voilerie Phoc\u00e9enne) coexists with intangible heritage (storytelling linked to the dockyards and Mediterranean typical \u2018barquettes\u2019 boats, and their preservation) and tangible heritage (such as the archaeological artefacts of the Underwater Archaeological Research Group, GRASM).[\/vc_column_text][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1578634975692{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”]\t

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From left to right: <\/strong><\/h6>\n
Matthieu Pernaud, acousmatic concert. Credits: Sandrine Depeyre<\/strong>
\nExhibition views, Au loin les signaux, al lou’lou’<\/em>, dockyard of L’Anse du Pharo, 2017.
\nCredits: Clelia Coussonnet and <\/strong>Geoffroy Mathieu<\/strong>
\nElvia Teotski, Un monde en construction<\/em>, 2017. <\/strong>Credits: Clelia Coussonnet<\/strong><\/h6>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column offset=”vc_hidden-sm vc_hidden-xs”]\t
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From left to right: <\/strong><\/h6>\n
Matthieu Pernaud, acousmatic concert. Credits: Sandrine Depeyre<\/strong>
\nExhibition views, Au loin les signaux, al lou’lou’<\/em>, dockyard of L’Anse du Pharo, 2017.
\nCredits: Clelia Coussonnet and <\/strong>Geoffroy Mathieu<\/strong>
\nElvia Teotski, Un monde en construction<\/em>, 2017. <\/strong>Credits: Clelia Coussonnet<\/strong><\/h6>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578634788056{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_column_text]The organisation of Au loin les signaux, al lou\u2019lou\u2019<\/em> coincides with the opening of the dockyard Chantier Naval Borg for the French National Heritage Days, a particular moment in which it is possible to revisit history newly by (re)placing it in its political and social contexts. Straddling between land and sea, the space formed by the edge caught us as it becomes a metaphor for states of transition and transformation. This quest is echoed in the exhibition, from raw materiality to creation, from pattern to assemblage, from longing to departure.[\/vc_column_text][vc_empty_space height=”20px”]\t
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What kind of gestures do the opened dockyards have in legacy and how do these challenge us today?<\/span><\/span><\/h3>\n\t\t\t<\/div>\n\n\t[\/vc_column][\/vc_row][vc_row css=”.vc_custom_1571409156883{padding-bottom: 4vh !important;}”][vc_column offset=”vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”][vc_row_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]The organisation of Au loin les signaux, al lou\u2019lou\u2019<\/em> coincides with the opening of the dockyard Chantier Naval Borg for the French National Heritage Days, a particular moment in which it is possible to revisit history newly by (re)placing it in its political and social contexts. Straddling between land and sea, the space formed by the edge caught us as it becomes a metaphor for states of transition and transformation. This quest is echoed in the exhibition, from raw materiality to creation, from pattern to assemblage, from longing to departure.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_empty_space height=”40px”]\t
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What kind of gestures do the opened dockyards have in legacy and how do these challenge us today?<\/span><\/span><\/h3>\n\t\t\t<\/div>\n\n\t[\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578634788056{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”]\t
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\u2018Elvia Teotski deposits within the dockyard a sculpture composed of elements that seem to be of vegetable or mineral origin. Have they been taken from the seabed? Or from a barn sheltering a flock\u2019s food? Playing on the similarities between living worlds, Un monde en construction constitutes a rehabilitation \u2014in the form of a ready-made\u2014 of a material that has become obsolete. The straw bricks installed actually come from an intensive culture of mushrooms for agro-food trade.\u2019<\/span><\/p>\n<\/blockquote>\n

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\u2014 Quotes by Claire Astier & Clelia Coussonnet<\/span><\/p>\n<\/blockquote>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1571409137203{padding-top: 8vh !important;padding-bottom: 4vh !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1733477594516{padding-right: 5% !important;padding-left: 5% !important;}” offset=”vc_hidden-sm vc_hidden-xs”]\t

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\u2014 Quotes by Claire Astier & Clelia Coussonnet<\/span><\/p>\n<\/blockquote>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1733477601103{padding-right: 10% !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”40px”]\t

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\u2018Elvia Teotski deposits within the dockyard a sculpture composed of elements that seem to be of vegetable or mineral origin. Have they been taken from the seabed? Or from a barn sheltering a flock\u2019s food? Playing on the similarities between living worlds, Un monde en construction constitutes a rehabilitation \u2014in the form of a ready-made\u2014 of a material that has become obsolete. The straw bricks installed actually come from an intensive culture of mushrooms for agro-food trade.\u2019<\/span><\/p><\/blockquote>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578635075159{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”]\t

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Chantiers navals de l\u2019Anse du Pharo, Marseilles, France<\/span><\/h3>\n

Partners:<\/strong> <\/span>Denis Borg, Chantier Naval Borg, Les Pointus de la Barquette, Paul Codaccioni, Chantiers Sainte-Marie, Herv\u00e9 & Jean Cordesse, Voilerie Phoc\u00e9enne, Paul Tagliamonte, Serge Xim\u00e9nes, GRASM<\/p>\n

September 15-17, 2017<\/strong><\/span><\/h3>\n[\/vc_column_text]\t\n\t\tTO THE EVENT'S WEBSITE<\/span>\n\t\t\t\t<\/a>\n\n\t[\/vc_column][\/vc_row][vc_row css=”.vc_custom_1571577138121{padding-top: 4vh !important;}”][vc_column width=”2\/3″ offset=”vc_hidden-sm vc_hidden-xs”]\t
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Chantiers navals de l\u2019Anse du Pharo, Marseilles, France<\/span><\/h3>\n

Partners:<\/strong> <\/span>Denis Borg, Chantier Naval Borg, Les Pointus de la Barquette, Paul Codaccioni, Chantiers Sainte-Marie, Herv\u00e9 & Jean Cordesse, Voilerie Phoc\u00e9enne, Paul Tagliamonte, Serge Xim\u00e9nes, GRASM<\/p>\n

September 15-17, 2017<\/strong><\/span><\/h3>\n[\/vc_column_text]\t\n\t\tTO THE EVENT'S WEBSITE<\/span>\n\t\t\t\t<\/a>\n\n\t[\/vc_column][\/vc_row][vc_row css=”.vc_custom_1578635075159{padding-top: 4vh !important;}”][vc_column offset=”vc_hidden-lg vc_hidden-md”]\t
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Related projects \u2014<\/span> Memory, transmission, places; Waters
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La Rose de J\u00e9richo \u2013 Aur\u00e9lia Zahedi<\/h6>\n\t\t\t\t\t\t