Leave No Stone Unturned

[Remuer la terre]

Artists
Hanan Benammar
Abdessamad El Montassir
Sasha Huber & Petri Saarikko
Farah Khelil
Kapwani Kiwanga
Uriel Orlow
Corinne Silva

Leave No Stone Unturned

[Remuer la terre]

Artists
Hanan Benammar
Abdessamad El Montassir
Sasha Huber & Petri Saarikko
Farah Khelil
Kapwani Kiwanga
Uriel Orlow
Corinne Silva

Leave No Stone Unturned [Remuer la terre] is a collective exhibition that highlights the links between plants and politics in Morocco and other countries of the global South, while rejecting the idea that nature is ornamental and neutral. By scratching the visible surface to plunge into the interstices and gaps of history, the selected works show plants are intertwined in power networks and suffer from the paradox of being knowledge resources simultaneously accessible and subjected to processes of invisibility. While human impact on climate and environmental change is increasingly discussed in public and scientific debates, still few institutions and individuals explore in depth the largely underestimated relations between plants and politics. Flora is indeed an actor, a pawn and a witness of History, revealing narratives forgotten and eluded by official history’s records.

Leave No Stone Unturned [Remuer la terre] is a collective exhibition that highlights the links between plants and politics in Morocco and other countries of the global South, while rejecting the idea that nature is ornamental and neutral. By scratching the visible surface to plunge into the interstices and gaps of history, the selected works show plants are intertwined in power networks and suffer from the paradox of being knowledge resources simultaneously accessible and subjected to processes of invisibility. While human impact on climate and environmental change is increasingly discussed in public and scientific debates, still few institutions and individuals explore in depth the largely underestimated relations between plants and politics. Flora is indeed an actor, a pawn and a witness of History, revealing narratives forgotten and eluded by official history’s records.

In this, the long-lasting relationship between conquest and botany during the eras of imperialism and colonialism is particularly significant. Amongst other strategies, Western empires widely resorted to naturalist and scientific expeditions to map the territories they then dominated and exploited. Today, in the age of globalisation, nature is still intertwined at various scales in local, national and international power relations.

Within this global framework, the exhibition Leave No Stone Unturned [Remuer la terre] focuses more precisely on the notions of natural resistance and of traditional healing techniques and remedies approaching flora both as an allegory of political frictions (from independence to opposition and diplomacy) and as a system of meaning, knowledge and beliefs in its own right (navigating between use, transmission and oblivion). Thanks to the long-term and research-based processes of the artists included in the show, let’s re-read history through new perspectives.

The first room explores the diplomatic uses of flora and how botany has been harnessed, out of pure tokenism, as a national symbol. The second room looks into natural remedies and medicine and seeks to understand the properties of plants in relation to the cultural context they are entangled in. The third room bridges natural resistance and caring traditions by presenting radical gardening strategies and observing knowledge transmission mechanisms.

Leave No Stone Unturned [Remuer la terre] initiates reflections on nature, politics and power structures, moving from Morocco to Tunisia, from South Africa to the Levant, Haiti, Turkey and even deserts. It is essential to encourage such a dialogue as rummaging through soil, seeds and plants, we discover another nature: a nature not only constructed by its relations with man –often through domination and exploitation, but also through respect, spirituality and healing– but a nature that reclaims its agency.

In this, the long-lasting relationship between conquest and botany during the eras of imperialism and colonialism is particularly significant. Amongst other strategies, Western empires widely resorted to naturalist and scientific expeditions to map the territories they then dominated and exploited. Today, in the age of globalisation, nature is still intertwined at various scales in local, national and international power relations.

Within this global framework, the exhibition Leave No Stone Unturned [Remuer la terre] focuses more precisely on the notions of natural resistance and of traditional healing techniques and remedies approaching flora both as an allegory of political frictions (from independence to opposition and diplomacy) and as a system of meaning, knowledge and beliefs in its own right (navigating between use, transmission and oblivion). Thanks to the long-term and research-based processes of the artists included in the show, let’s re-read history through new perspectives.

The first room explores the diplomatic uses of flora and how botany has been harnessed, out of pure tokenism, as a national symbol. The second room looks into natural remedies and medicine and seeks to understand the properties of plants in relation to the cultural context they are entangled in. The third room bridges natural resistance and caring traditions by presenting radical gardening strategies and observing knowledge transmission mechanisms.

Leave No Stone Unturned [Remuer la terre] initiates reflections on nature, politics and power structures, moving from Morocco to Tunisia, from South Africa to the Levant, Haiti, Turkey and even deserts. It is essential to encourage such a dialogue as rummaging through soil, seeds and plants, we discover another nature: a nature not only constructed by its relations with man –often through domination and exploitation, but also through respect, spirituality and healing– but a nature that reclaims its agency.

From left to right:
Exhibition view, Leave No Stone Unturned [Remuer la terre], curated by Clelia Coussonnet
at Le Cube-independent art room, 2019
From left to right:
Exhibition view, Leave No Stone Unturned [Remuer la terre], curated by Clelia Coussonnet
at Le Cube-independent art room, 2019

Le Cube – independent art room, Rabat, Morocco
November 14, 2019 – January 24, 2020

TO THEIR WEBSITE

Le Cube – independent art room, Rabat, Morocco
November 14, 2019 – January 24, 2020

TO THEIR WEBSITE

Related projects Plants & Politics

Related projects Plants & Politics